Exhibitionist violence
Explaining the display of war crimes in Karabakh
DOI:
https://doi.org/10.35295/osls.iisl.2468Palabras clave:
Antropología de la guerra, violencia exhibicionista, comunicación simbólica, propaganda digital, humillación (extraletal), políticas de identidad, relaciones de poder, KarabajResumen
Este artículo analiza la lógica de la violencia exhibicionista en el contexto del conflicto de Karabaj, centrándose en la grabación y divulgación deliberada de crímenes de guerra. Introduce el concepto de violencia exhibicionista en tiempos de guerra: el uso estratégico de imaginería violenta para desmoralizar al enemigo, consolidar la cohesión de grupo e influir las narrativas globales. Partiendo de la antropología de los estudios de guerra y medios, el análisis sitúa esta práctica en marcos más amplios de comunicación simbólica, guerra psicológica y propaganda digital. El material empírico incluye pruebas verificadas de vídeos del conflicto y entrevistas cualitativas que revelan cómo los perpetradores utilizan los medios como arma y a la vez como actuación. El artículo dialoga con el trabajo de Lee Ann Fujii, Randall Collins y Roger Gould para explicar las dimensiones performativas y comunicativas de tales actos. En última instancia, el estudio subraya la necesidad de ver la violencia exhibicionista no como brutalidad sin sentido, sino como una estrategia intencionada y políticamente cargada, con profundo impacto cultural y político.
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