The Impact of a Legal Framework on National Film Industry: an Approach to Basque-Language Cinema
Keywords:
Creative industries, Economics, Film policy, Basque cinema, Small nations, Basque language, Cultural protection, Economía creativa, cine, política cultural, economía cinematográfica, cine en lengua vasca, cine en euskera, protección de las minoríasAbstract
After the incursion of the digitalisation and the Internet, new forms of cultural production, reception and consumption have come via the hands of technological convergence and the way society has adapted to that scenario. In the current context of globalisation traditional cultural conceptualisation has been modified by opening up an economic discourse based on knowledge, creativity and innovation. But how are cultural policies bringing this paradigm into their protection framework? As part of the cultural activity, cinema plays a core role contributing to the national economic competitiveness and social cohesion. However, small cinemas struggle and films made in minority languages face a lot more difficulties. This paper shows how a legal change has made a certain funding model possible for cinema in the Basque-language, suggesting that a legally binding space where a specific cultural subject is primarily recognised has become crucial for films in Basque.
Tras la llegada de la digitalización e Internet, han surgido nuevas formas de producción, recepción y consumo de cultura, de la mano de la convergencia tecnológica y la forma en la que la sociedad se ha adaptado a ese escenario. En el contexto actual de la globalización, la conceptualización cultural tradicional se ha modificado por un nuevo discurso económico basado en el conocimiento, la creatividad y la innovación. Pero ¿cómo están integrando las políticas culturales este paradigma en su marco de protección? Como parte de la actividad cultural, el cine juega un papel fundamental, contribuyendo a la competitividad económica nacional y a la cohesión social. Sin embargo, las salas de cine pequeñas experimentan dificultades y las películas rodadas en lenguas minoritarias se enfrentan a numerosas dificultades. Este artículo muestra cómo un cambio legal ha hecho posible un modelo de financiación para el cine en lengua vasca, y se sugiere que es fundamental para las películas en euskera contar con un espacio jurídicamente vinculante, en el que se reconozca un sujeto específicamente cultural.
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