Necessary Illusions: Life, Death and the Construction of Meaning
Keywords:
Ernest Becker, Evil, Existentialism, Death, Immortality, Ernst Becker, mal, existencialismo, muerte, inmortalidadAbstract
This paper introduces the work of the late cultural anthropologist Ernest Becker. Becker argued that the cause of human suffering is directly related to the strategies people use to cope with their mortality awareness. By concentrating on his last two books, The Denial of Death (1973) and Escape from Evil (1975), the aim of this paper is to provide an overview of Becker’s mature theory to show how his work on destructiveness is necessary for developing a socially engaged social theory. Whilst his theory on the human condition explores some of the darkest aspects of human existence, by examining why people are capable of extreme forms of cruelty Becker directly encouraged an honest dialogue concerning our existential predicament. This paper highlights the necessity of Becker’s theory of evil for opening up new possibilities for living in a more humane world.
Este artículo presenta el trabajo del antropólogo cultural Ernest Becker. Becker argumentó que la causa del sufrimiento humano está directamente relacionada con las estrategias que usan las personas para hacer frente a su conciencia de mortalidad. Analizando sus dos últimos libros, La negación de la muerte (1973) y La lucha contra el mal (1975), el objetivo de este artículo es ofrecer una visión general de la teoría madura de Becker para demostrar cómo su estudio sobre la destructividad es necesario para desarrollar una teoría social socialmente comprometida. A pesar de que su teoría sobre la condición humana explora algunos de los aspectos más oscuros de la existencia humana, Becker directamente fomenta un diálogo honesto sobre nuestro predicamento existencial, examinando por qué las personas son capaces de formas extremas de crueldad. Este artículo destaca la necesidad de la teoría de Becker del mal, para facilitar nuevas posibilidades de vivir en un mundo más humano.
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